I've been obsessed with Lil Wayne for some time now, as should be apparent to all of my readers, and last week, Eric and I decided that with the man being named "Hottest Rapper Alive," and with his hype really starting to near critical mass, that we would indeed have to travel and see him perform. It's apparent to me that his career is nearing a crossover point, where he will go from playing smaller venues to performing on the arena circuit--because although he is famous, the fandom is only just now beginning to grow into a point of mania. Eric and I resolved to travel anywhere to see him perform before the chance escaped us; with last week's gun/drug arrest in New York City, his proclamation to never play the town again, and his rising status in pop-circles, we knew we had to act quickly.
But there were no shows coming up. Nothing listed for the entire year. We searched and searched and found nothing. That was Tuesday, and we figured that we had exhausted our resources, and missed some golden opportunities to see him. Wednesday morning, however, I awoke to an e-mail from Jessica: she had found a Lil Wayne show in Minnesota, at a club called Myth. There was a problem, though: it was starting at 9 p.m., that day. Eric and I didn't even have to ask one another what to do, we took two days of work off and drove to St. Paul. Ryan and Jessica did the same.
It was an intense drive. We took I-35 (yes, that I-35) the entire way, and no, we were nowhere near the bridge when it went down. We were at least an hour from it, and never actually crossed it into Minneapolis.
The show itself was phenomenal. Weezy really exceeded all of my expectations, performing for over an hour and providing a variety of his old hits, new singles, freestyles, and even some unreleased material. He also played guitar--yes, guitar.
After getting through some terrible opening acts, Eric, Ryan, Jessica and I were treated to a medley of songs by Memphis duo 8-Ball & MJG. Their set was something that Robin would have wanted to see: opening with the Three Six Mafia hit, "Stay High," following with "Relax and Take Notes" and then segueing into a series of songs from their classic album "Living Legends." It was a great way to heat the audience up for Lil Wayne, though he didn't actually hit the stage for at least another hour, as we were bored to tears by one more of Minnesota's local crappy hip-hop groups.
Weezy did eventually emerge, though. I was only a few rows from the stage, having shoved my way (or been shoved?) quite near since the show had started. The curtain was closed and the crowd--who by now, at 1 a.m., had been waiting for nearly 4 hours, was ready.
With the curtain still closed, the opening alarm from the Carter II
There were plenty of great moments in the show: from his drawn out, 8 minute performance of his newest Carter III single, "Prostitute Flange," to his seated guitar medley--we saw him sing, dance, rap and play some instruments. He performed such classics as "The Block is Hot" and "Dope Boy," while also managing to stick in some new material off Like Father Like Son when he performed both "You Ain't Know," and "Stuntin' Like My Daddy." He also did some Drought 3 material, giving the audience both "Sky is the Limit" and "Swizzy {Remix)."
Toward the end of his set, the automatically-identifiable sounds of "Stuntin' Like My Daddy" began to play, and Weezy spit both Birdman and his own verses in what would have been a wonderful close to the show; but he hadn't quite finished, despite the large amount of security standing around the stage, all insisting that there could be no more music (since it was now well past 2 a.m.). Weezy completely ignored them, and faced the crowd as his DJ played the first synthesizer bits of the DJ Khaled masterpiece, "We Takin' Over": he looked at the audience and smiled the same grin he had been wearing on his face all evening, then launched into a fantastic performance of what must be one of his best verses ever.
When "We Takin' Ova" finally ended, Weezy was on the stage, alone, surrounded by security. He paused and came front and center and told the crowd the following: "Three things: number one, I want to thank you. I want to thank all of you for your support, everyone who voted for me or defended me in whatever, thank you. Number two, I am nothing without you, I'm nothing without you." Weezy then stood silent for a moment, and as his DJ put the needle on Whitney Houston's classic record, "I Will Always Love You," he spread his arms in a Christlike manner and said, "Number three, I love you!" and dropped the microphone as security closed the curtains and dragged him offstage. It was one of the better finales I've ever seen, and truly seemed to represent the emotional connection he has with his fanbase. Perhaps that why he was smiling the entire night, yet you rarely see a photograph of doing anything other than a frowny-faced mean-mug.
The show really revealed Lil Wayne as a much different person than what the videos and interviews have shown: that is, he's not so hard or tough that he can't smile, and he's there for those who love him. He lives for this kind of stuff. He had no pretense because he was among his fans, those who admire him and appreciate his work, and there was no need for anymore cloaking or bravado: he could be himself, and perform.
His performance was amazing. He had more energy and life than I could have imagined, and he provided a bombastic delivery and acrobatic display of showmanship that was really worth all $48 ticket dollars. I had secretly worried that he might come out in a drugged haze, providing just a few songs, but on the contrary, he seemed sober, alert and there for one purpose only: to rap. Just great stuff.
I'm tired now, but I've seen my current musical idol, the Jimi Hendrix of rap music, do his thing on stage, in person. There's much more to say about the show, but if you really care to know, just ask me sometime, I'm sure I could talk for hours. The world isn't ready for Lil Wayne, and this show was exactly what I needed right now, when so much is going wrong in my life. A nice break.
brett at 10:27 AM on August 03, 2007 | Permalink
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